Final episode of '35 awr' celebration

A special BAFTA Cymru screening of the final episode of Fflur’s series 35 awr took place on Sunday night, 24th of February, at yr Egin in Carmarthen. There was a Q&A with members of the cast and key creatives – Fflur (writer), Paul Jones (producer) and Rhys Powys (director.) Gillian Elisa was thoroughly entertaining in talking about the creation of Val and Jâms Thomas also spoke about the amount of time spent in make-up creating the burnt-out Haydn. Reviews have been overwhelmingly positive – read the final reviews from The Killing Times and Wales in the Movies here:

The Killing Times Review

Wales in The Movies Review


Preview: Final episode of 35 AWR + Q&A (Carmarthen)

On Sunday, 24th February 2019 at 7:30pm, the final episode of Fflur’s thrilling series 35 Awr (35 Hours) will be screened at Canolfan S4C Yr Egin, Carmarthen, in partnership with BAFTA Cymru.

Boom Cymru and S4C will present the final installment of the eight-part series that is set in a jury room, featuring 12 people deliberating over a murder case.

Fflur herself is a multi-BAFTA Cymru-nominee (best writer for The Library Suicides, best drama series for Parch) and the series stars the likes of Gillian Elisa (Craith) Lisa Marged (Parch, Wolfblood) and Jâms Thomas (Torchwood, Gwaith Cartref).

The screening will be followed by a Q&A with cast and key creatives.

Public tickets can be reserved here.

Follow the series every Sunday at 9pm on S4C and catch up with episodes you may have missed on the iplayer.


Fflur wins Hartswood Prize

Hartswood West, ScreenSkills and BBC Writersroom Wales have joined forces to find two up-and-coming TV writers with a strong connection to Wales. Part-funded by the ScreenSkills High-end TV Fund, Fflur and writer Alan Harris will receive a six-month bursary to develop original drama ideas. Following this, they will be given the opportunity to present their work to the BBC. Additionally, they will benefit from expert advice and guidance from established Welsh screenwriters Russell T Davies (A Very English Scandal, Doctor Who) and Cath Tregenna (Torchwood, Law & Order) as part of the scheme.

The writers were chosen following a rigorous selection process, during which they had to pitch their submitted idea to a judging panel, which included Ben Irving (Drama Commissioning Editor for Wales, BBC) and Brian Minchin (Executive Producer, Hartswood West).

Fflur said: “Having long admired the work of Hartswood Films, it’s fantastic to finally get an opportunity to work alongside them to develop a really exciting pitch. I am very passionate about Welsh representation on screen, and am always eager to divert from the easy stereotypes to show the rest of the world how funny and quirky and diverse Welsh people are. I entered this programme because I’m invested in creating a really engaging Welsh story which will connect with audiences across the UK, and it’s wonderful to have someone as experienced as Russell T Davies overseeing the creative process.”

Kaye Elliott, Director of high-end TV for ScreenSkills said: “ScreenSkills is dedicated to developing talent and crew across the whole of the UK. We are very pleased to support this new scheme with the High-end TV Skills Fund, enabling talent to grow in Wales. We look forward to seeing how Fflur and Alan develop their work in the next six months.”

Helen Perry, Development Producer at BBC Writersroom Wales said: “Wales harbours real TV drama writing talent and the Hartswood West Scheme confirms this. The competition was tough. But I’m delighted for Alan and Fflur. I can’t wait to see their work come to life, hopefully on BBC Network TV, very soon.”

Brian Minchin, Executive Producer at Hartswood West said: “Fflur and Alan are ambitious, talented, and bursting with ideas. Wales has long been a great place to make TV and with fantastic writers like Fflur and Alan making their voices heard it will surely stay that way.”




The verdict on 35 awr…

This week the third episode of Fflur’s thrilling crime drama ’35 hours’ (35 awr) will be broadcast. The series has been dubbed by TV critic Sioned Williams as “a sophisticated, contemporary drama that is extremely compelling,” and was described by BBC Radio 1 DJ Huw Stephens as “wonderful – tense, funny, twists, great plot, brilliant acting.”

You can read further great reviews below from Wales in the Movies and The Killing Times TV. Stay tuned. It’s going to be a rollercoaster!

Wales in the Movies – read here

The Killing Times TV – read here

Get the Chance – read here

35 Awr

Sunday 9.00pm, S4C

English subtitles available

Available to watch on-demand at, BBC iPlayer and other platforms

A Boom Cymru production for S4C


35 Awr: Gripping, edge-of-seat drama to kickstart 2019

‘Cometh the hour, cometh the man’ – and in the context of winter viewing, this is the series that will surely save any dull January; the ensemble murder mystery drama to grab your attention and outdo any Agatha Christie or drunken game of Cluedo.

The series is an exciting new project between S4C and production company Boom Cymru, combining stylish directing, subtle acting, and skilled scriptwriting by Fflur Dafydd, in eight hour-long episodes, starting on S4C on January 6th.

Boom Cymru producer, Paul Jones, summarises the drama in figures: ‘Onscreen, the action happens over a period of 35 hours – with 1 murder court case, 12 jury members, 3 deaths, 2 accidents, and a great many personal problems’.

‘Add to this a sex scene that hasn’t been seen on S4C before, and we hope it makes for exciting stuff!’

Although part of the popular 35 Diwrnod series, 35 Awr will follow a slightly different path, with a restriction on the usual timeline, a faster and more gripping feel from the beginning, and two whodunnit stories running parallel.

These two stories include the present-time plot of the jury members, as they try to manage the court case and their complex lives in a jury room and a country hotel; and the story of the criminal case in question, which is gradually revealed through flashbacks and the present tense.

Playing the 12 jury members is a brilliant ensemble cast, including Gillian Elisa, Christine Pritchard, Jâms Thomas, Lisa Victoria – in her first role since Pobol y Cwm, Tara Bethan, Iestyn Arwel, Rebecca Hayes, Dafydd Llŷr Tomas, Lisa Marged, Aled Pedrick, Carwyn Jones and Gareth John Bale; also starring in the drama are Ioan Hefin and Lowri Palfrey, and two promising new actors, Aled ap Steffan and Sion Eifion.

Between them, they play a multitude of interesting characters, including a sad and troubled defendant, a fussy librarian with OCD, a scheming young girl, and a confused and emotional mother – and none of the actors were told about eachothers’ scripts, nor what part they play – if any – in the opening scene’s death.

Like the previous series, it is this suspicious ‘death’ that first grabs our attention, and during the opening moments of the first episode – before we turn to the jury’s proceedings – we get a sudden flash-forward of the horrific scene towards the finale, as the figure of someone on fire flails on the hotel steps.

And if that death is absolutely horrific, the court case murder creates discomfort in another, sinister, complex, emotional and tragic way, leading to a very real threat to the jury members’ safety – from many directions.

It’s this threat which means that the 12 – who are in the middle of discussing the case – must be moved to a country house hotel to await further instructions; but of course the wine flows, tongues loosen, and tensions rise, causing bickering, fighting, sexual relationships, scheming, deception and more…

Author Fflur Dafydd, who also wrote the popular series Parch and the exciting film Y Llyfrgell, said, ‘The absolute irony of course is that a group of biased and arbitrary people whose own lives are so messy, are responsible for debating a complex court case and determining a stranger’s fate’.

‘I think it’s the quiet, profound character of Steve who best sums this up when he says: ‘We’re just people – imperfect people with all sorts of prejudices – and we are supposed to work out what the truth is’.

‘The characters are in an unusual ‘pressure cooker’ situation due to the stress of the case and the restriction on their freedom – and the whole thing has the potential to spin completely out of control.

‘But despite the dark events, inevitably some humour also stems from the fact that 12 people with nothing in common must spend so much time together!’.

To watch the whole thing unravel, tune in to S4C weekly at 9pm on Sunday evenings, from January 6th.

35 Awr

Sunday 6 January, 9.00, S4C

English subtitles available

Available to watch on-demand at, BBC iPlayer and other platforms

A Boom Cymru production for S4C

Fflur Dafydd’s PARCH nominated for Best TV Drama at the 2018 BAFTA Cymru Awards

The hit drama series picked up its second consecutive nod in the TV drama category following last year’s nomination.

Fflur Dafydd, who is sole creator and writer of all episodes to date, was also nominated in the Best Writer category last year for her feature film Y LLYFRGELL/THE LIBRARY SUICIDES, a film which was nominated in 4 categories in 2017 and won the BAFTA Cymru award for best director.

Series 3 of PARCH aired in March with Carys Eleri reprising her role as a female country vicar forced to face up to her own mortality after she discovers a major brain aneurysm. Ryland Teifi and Wanda Opalinska also starred in the critically acclaimed series, described by TV critic Gareth Williams as “another example of the high quality television drama that is currently being produced in Wales… a drama which weaves romance, mystery, fantasy, and family drama together brilliantly.”

Read the Gareth Williams review HERE.

The Rev putting the world right – starting with the streets

From figments of her imagination and brushes with death, the former Reverend, Myfanwy Elfed’s unusual and exciting life returns to S4C for a third series on Sunday, 4 March.

At the end of the second series we left Myfanwy and her friends as they came to terms with the loss of Mr. Jarman – the church’s cantankerous caretaker, and Myfanwy had distanced herself from her role as a church Reverend and was a Chaplain in the town centre.

As we join Myfanwy, she has further distanced herself from the Church and now hopes to make a real difference on the streets of Treffwrnes by helping the homeless. As well as helping to run a soup kitchen with her new friend, Elain, played by actress Bethan Bevan, Myfanwy is also out on the streets working as a Street Pastor, caring for people who have had too much to drink.
It’s while working as a Street Pastor that Myfanwy meets Rhodri – a homeless and mysterious man played by actor Ryland Teifi.

“Myfanwy tries her best to help Rhodri, but for some reason he rejects her help,” says Carys Eleri, 35, who plays Myfanwy in the drama. It soon becomes obvious that there is more to Rhodri than meets the eye and Myfanwy begins to question whether Rhodri is real or another figment of her imagination. Myf realises before long that her need to help people interferes with the lives of the lives of the people in her town.

“Homelessness is a big theme in this series, and it’s relevant to us all,” says Carys, who is originally from Upper Tumble, Carmarthenshire, but has since settled in Canton near Cardiff city centre, “I really can’t believe how much of an increase there’s been recently in the amount of homeless people in Cardiff – it’s really sad. I hope the new series will inspire our viewers to do what they can to help.”

The homelessness within the series echoes the fact that Myfanwy seems to have lost her way since the discovery of her aneurysm in the first series: she’s increasingly losing her faith and her role as a wife, a mother and a daughter have diminished. “The aneurysm made Myfanwy realise that she needed to live the life she wanted to and to admit her feelings towards Eurig. She also began to actively question her role within the Church and her marriage, something she had probably been doing for a long time before we met her.”

As a consequence, Carys believes we’re now seeing a bolder Myfanwy, one who isn’t as bound by her own politeness, and setting herself on the streets of Treffwrnes to help others shows her determination to do whatever she can to make the world a better place.

And of course, the love triangle between Myfanwy, her estranged husband Terwyn and Eurig, the object of Myfanwy’s affection since the first series, is yet to be resolved. At the end of the second series, Terwyn shocked Myfanwy by saying that he intended to file for divorce. “I can’t give too much gossip away – but I can confirm that in the first episode Myfanwy and Terwyn are still separated,” says Carys.

Sunday 4 March 9.00, S4C
Welsh and English subtitles available
On demand:, BBC iPlayer and other platforms
A Boom Cymru production for S4C

Comedy script reaches 'Find Me Funny' final

Fflur’s first comedy script ‘The Other Team’, co-written by Huw Davies, has reached the final of Find Me Funny – an opportunity from BBC Cymru Wales to discover the next generation of comedy writers. This scheme will result in up to three new comedy pilots being chosen for BBC One Wales and BBC iPlayer. Just under 350 submissions were received, and eight scripts were chosen and are now being considered by a judging panel, with Fflur’s sitcom ‘The Other Team’ being one of them.

In ‘The Other Team’, set in Trecorryn – a fictionalised version of Newcastle Emlyn – recovering alcoholic Fiona finds love with fellow rugby widow Cerys, but they struggle to break the news to their rugby-obsessed husbands. Fflur’s BAFTA Cymru nominated series Parch also returns to the screen this week, (Sunday, March 4th at 9pm) on S4C and the BBC iPlayer, and she is currently writing the 4th series of BAFTA Cymru winning series 35 Diwrnod, which will air on S4C and the BBC iPlayer in November 2018.